Widespread Panic’s “Poster Children”

On November 25, 2013, in News, by Ben Marks


On Fri­day Novem­ber 29, 2013, Wide­spread Panic releases its much-anticipated new book, “Poster Chil­dren,” which chron­i­cles 25 years of Panic posters, from the cheap pho­to­copies cre­ated to get the word out about their lat­est gig at the Uptown Lounge in their home­town of Athens, Geor­gia, to the limited-edition screen­prints pro­duced for shows at Red Rocks, the Fox, and other sto­ried venues. At 320 pages and with more than 400 images, the hard­back book fea­tures art­work and artist state­ments by Jeff Wood (who did the book’s cover, shown above), Chuck Sperry, Marq Spusta, Emek, J.T. Luc­ch­esi, and Chris Bil­heimer, who also designed “Poster Children.”

For an arti­cle I wrote over at CollectorsWeekly.com, I was for­tu­nate enough to speak to all six of these artists, each of whom gave me a peek behind the scenes at how the Panic poster pro­gram got started and how it’s evolved. I also got to speak with Panic bassist Dave Schools, who is a cham­pion of rock posters in gen­eral and a big believer in giv­ing Panic’s rock-poster artists the free­dom to do their thing.

Below is an excerpt from my arti­cle. You can read the rest here:

Wide­spread Panic co-founder and bassist Dave Schools remem­bers well those ancient evenings when he used to cre­ate the art­work him­self for many of his band’s early fly­ers, “obvi­ously,” he says with a laugh, remark­ing on his artis­tic tal­ents. “The mid-’80s was the height of the DIY era,” he recalls. “You went to Kinko’s in the mid­dle of the night when your buddy was work­ing and ran off 150 free hand­bills and stuck them up all over town, usu­ally in the shad­ows, try­ing not to get caught.” Later, like other bands, Panic would rely on pro­mot­ers to pro­duce the posters to get the word out about their shows. “To see how far posters have come since then, and how cel­e­brated they are now, has been quite a jour­ney for me.”

Poster artist J.T. Luc­ch­esi, whose work could be described as big-impact illus­tra­tion, has shared much of that jour­ney, begin­ning his almost 25-year rela­tion­ship with the band as a fan. “My first Wide­spread Panic show was in Atlanta in 1990,” he recalls. “I had to get my dad to get me in because they were play­ing bars at the time and I was under age.” By 1992, when he and an equally enter­pris­ing friend were already run­ning their own T-shirt print shop, Luc­ch­esi began fol­low­ing the band around, sell­ing unli­censed Wide­spread Panic-inspired shirts in the park­ing lot to fel­low fans before and after the show. “We would give the band and their crew like two dozen of our shirts,” he says, “so we kind of got on good terms with them.”

Mean­while, the band was notic­ing that its fans were increas­ingly inter­ested in the posters cre­ated for its shows. “When we started play­ing shows at the Warfield in San Fran­cisco,” says Schools of Panic’s shows there in 1996 and 1997, “Bill Graham’s peo­ple would pass out these posters for free to the crowd after the shows. We’d be like, ‘Why is every­body leav­ing so quickly at the end of the last song?’ And then we real­ized it was because that’s when they were giv­ing away the posters in front of the theater.”

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Alan Forbes Benefit

On November 14, 2013, in News, by Nick

Artist Alan Forbes

On Mon­day, Octo­ber 21st, Alan Forbes was attacked in the Lower Haight neigh­bor­hood of San Fran­cisco. The attack left him with two skull frac­tures and dam­age to his right eye. As do a lot of artists, he has no insur­ance to cover the grow­ing med­ical expenses. To help cover the med­ical expenses there are two ben­e­fit shows set up in San Fran­cisco as well as other fundrais­ers. Each show will have silent auctions.

Cur­rent con­trib­u­tors include: Queens of the Stone Age, AFI, Grave­yard, Hot Fog, Diesel Fuel Print­ingMono­lith PressBad Skulls, TRPS, and more.

Cur­rent artist con­trib­u­tors include: Skin­ner, Junko Mizuno, Robert Bowen, Decoder Ring Design, Marq Spusta, Mishka West­ell, Bobby Dixon, John Howard, Jared Con­nor, Adam Pobiak, Gary Hous­ton, Viral Graph­ics, Gregg Gor­don, Stain­boy, and more.

In addi­tion, Marq Spusta will be cre­at­ing a ben­e­fit poster.

If you would like to donate to the silent auc­tion, please con­tact: info (at) secret­ser­pents (dot) com

Ben­e­fit Items now LIVE on eBay

More infor­ma­tion at SercretSerpents.com

Ben­e­fit Shows

Date: Sat­ur­day, Decem­ber 7th, 2013
Venue: The Chapel — 777 Valen­cia Street, SF
Doors: 7:00pm
First band: 8:00pm

RSVP on Face­book

Jello Biafra (DJ)
Hard­er­ships (mem­bers of Earth­less, Assem­ble Head in Sun­burst Sound, Zen Guer­rilla)
Hot Lunch (Tee Pee Records)
The Freeks (from OC)
Ethan Miller (of Howlin Rain / Comets on Fire)
plus spe­cial guests


Black Cobra poster by Adam Pobiak

Date: Sat­ur­day, Jan­u­ary 4th, 2014
Venue: Bot­tom of the Hill
Door time: 8:30pm

RSVP on Face­book

Black Cobra (South­ern Lord Records)
Lech­er­ous Gaze (Tee Pee Records)
Kicker (Tank Crime Records)
Pins of Light (Alter­na­tive Ten­ta­cles Records)
plus spe­cial guests

Ben­e­fit Alan Forbes Marq Spusta Poster

Spusta Forbes benefit poster


Bot­tom of the Hill 1233 17th Street, SF

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