PM PRESS will present their new book, DEAD KENNEDYS Fresh Fruit for Rotting Vegetables, The Early Years, by Alex Ogg, with photographs by Ruby Ray and art by Winston Smith, with a book signing the night of the Reception. Photos and art from the book will be exhibited along with additional work from the era.
The event PUNK: CONVULSIVE BEAUTY re-examines the explosive punk scene of 1977–1981 with the brilliant pairing of Ruby Ray and Winston Smith. This is Ruby’s first big show in SF since 5 years ago and you won’t want to miss it! She’ll exhibit a noir selection of over 40 photographs from her large collection of the mavericks who were a driving force in the early punk movement. Winston Smith will be transforming the Icebox with early artworks and collage, including controversial images created for the Dead Kennedys’ record covers. Jill Reiter of Vis a Vis will be continuously screening overhead an old-school punk video projection. Libations will be on hand.
This is a free event! Join up on Facebook.
Check out the Brazilian promo to the book.
About the Book
Dead Kennedys routinely top both critic and fan polls as the greatest punk band of their generation. Their debut full-length, Fresh Fruit for Rotting Vegetables, in particular, is regularly voted among the top albums in the genre. Fresh Fruit offered a perfect hybrid of humor and polemic strapped to a musical chassis that was as tetchy and inventive as Jello Biafra’s withering broadsides. Those lyrics, cruel in their precision, were revelatory. But it wouldn’t have worked if the underlying sonics were not such an uproarious rush, the paraffin to Biafra’s naked flame.
Dead Kennedys’ continuing influence is an extraordinary achievement for a band that had practically zero radio play and only released records on independent labels. They not only existed outside of the mainstream but were, as V. Vale of Search and Destroy noted, the first band of their stature to turn on and attack the music industry itself. The DKs set so much in motion. They were integral to the formulation of an alternative network that allowed bands on the first rung of the ladder to tour outside of their own backyard. They were instrumental in supporting the concept of all-ages shows and spurned the advances of corporate rock promoters and industry lapdogs. They legitimized the notion of an American punk band touring internationally while disseminating the true horror of their native country’s foreign policies, effectively serving as anti-ambassadors on their travels.
The book uses dozens of first-hand interviews, photos, and original artwork to offer a new perspective on a group who would become mired in controversy almost from the get-go. It applauds the band’s key role in transforming punk rhetoric, both polemical and musical, into something genuinely threatening—and enormously funny. The author offers context in terms of both the global and local trajectory of punk and, while not flinching from the wildly differing takes individual band members have on the evolution of the band, attempts to be celebratory—if not uncritical.
Buy the Book now from the publisher.
“We have a sense of humor and we’re not afraid to use it in a vicious way if we have to. In some ways, we’re cultural terrorists, using music instead of guns.“ — Jello Biafra of the Dead Kennedys
“It was obvious that the DKs weren’t just another band that was gonna come and go. They were something special. Biafra was an absolute talent. And he had a band behind him that were tight and good.“ — Howie Klein, concert promoter, disc jockey, and record label executive
“One day, this kid from my social studies class brought in a cassette tape of The Dead Kennedys’ Fresh Fruit for Rotting Vegetables and I listened to it and my life was changed completely.“ — Adam Gierasch, film director
“One of my favorite rock ’n’ roll memories is of an after-party during the DKs’ first visit to Seattle. Recognize that bands like this for me—these actual guys being at a party in the same house that I was in—was like being in the presence of Led Zeppelin or Kiss.“ — Duff McKagan of Guns ’n’ Roses
IHeartNorthBeach Gallery 641 Green Street, San Francisco
This limited edition book features the psychedelic concert posters from the Seattle area that were produced in the 1960’s.
Split Fountain Hieroglyphics will be a hardbound book, signed and numbered with a limited edition of 1,000 to 2,000. This volume will be (approximately) 9”x12” and at least 150 pages. Illustrated in full color, this volume will follow the rise and demise of the psychedelic concert poster in the Seattle area from 1966–1969.
Since these posters were made as disposable advertising, very few have survived. Scott McDougall has been photographing these pieces in various private and museum collections for over 20 years with an eventual book in mind. The majority of this body of work has not been documented until now. In addition to the individual poster artists, approximately 200 different performers and groups as well as the local venues and light shows will be indexed to the illustrations.
Part of the project appeal for Scott is to have the book produced in Seattle with the printer he has done numerous projects together with over the past 15 years or so that have included many posters along with catalogues and CD covers. The funding goal is entirely based on printing of the book and rewards, bindery, shipping and related expenses. Additional reward items are from Scott’s personal collection. At this time, all of the design work, photography, writing and research have been a labor of his love.
Make a pledge to support Scott and this project on KickStarter.com (click here)
Some rewards include these two posters (and matching postcards):