Chet Helms Tribal Stomp 2005 poster by Jagmo

On September 5, 2014, in Posters, by Nick

Chet Helms Tribal Stomp by Jagmo


Flash­back Friday…

Chet Helms Tribal Stomp by Jagmo (Nels Jacob­son)
Octo­ber 30, 2005
Speed­way Mead­ows at Golden Gate Park — San Fran­cisco, CA
2b1 — FD#18

Part of a series of 16 posters — see them all at ExpressoBeans.com.

Illus­tra­tion of Chet based on a Bob Sim­mons photo


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Dead Kennedys Fresh Fruit for Rotting Vegetables The Early Years with artwork by Winston Smith and photogrpahs by Ruby Ray by Alex Ogg

IHeart­North­Beach Gallery presents the Dead Kennedys Fresh Fruit for Rot­ting Veg­eta­bles The Early Years Book Sign­ing with Ruby Ray & Win­ston Smith on Fri­day, July 11 • 5pm-11pm

PM PRESS will present their new book, DEAD KENNEDYS Fresh Fruit for Rot­ting Veg­eta­bles, The Early Years, by Alex Ogg, with pho­tographs by Ruby Ray and art by Win­ston Smith, with a book sign­ing the night of the Recep­tion. Pho­tos and art from the book will be exhib­ited along with addi­tional work from the era.

The event PUNK: CONVULSIVE BEAUTY re-examines the explo­sive punk scene of 1977–1981 with the bril­liant pair­ing of Ruby Ray and Win­ston Smith. This is Ruby’s first big show in SF since 5 years ago and you won’t want to miss it! She’ll exhibit a noir selec­tion of over 40 pho­tographs from her large col­lec­tion of the mav­er­icks who were a dri­ving force in the early punk move­ment. Win­ston Smith will be trans­form­ing the Ice­box with early art­works and col­lage, includ­ing con­tro­ver­sial images cre­ated for the Dead Kennedys’ record cov­ers. Jill Reiter of Vis a Vis will be con­tin­u­ously screen­ing over­head an old-school punk video pro­jec­tion. Liba­tions will be on hand.

This is a free event! Join up on Face­book.

Check out the Brazil­ian promo to the book.

About the Book

Dead Kennedys rou­tinely top both critic and fan polls as the great­est punk band of their gen­er­a­tion. Their debut full-length, Fresh Fruit for Rot­ting Veg­eta­bles, in par­tic­u­lar, is reg­u­larly voted among the top albums in the genre. Fresh Fruit offered a per­fect hybrid of humor and polemic strapped to a musi­cal chas­sis that was as tetchy and inven­tive as Jello Biafra’s with­er­ing broad­sides. Those lyrics, cruel in their pre­ci­sion, were rev­e­la­tory. But it wouldn’t have worked if the under­ly­ing son­ics were not such an uproar­i­ous rush, the paraf­fin to Biafra’s naked flame.

Dead Kennedys’ con­tin­u­ing influ­ence is an extra­or­di­nary achieve­ment for a band that had prac­ti­cally zero radio play and only released records on inde­pen­dent labels. They not only existed out­side of the main­stream but were, as V. Vale of Search and Destroy noted, the first band of their stature to turn on and attack the music indus­try itself. The DKs set so much in motion. They were inte­gral to the for­mu­la­tion of an alter­na­tive net­work that allowed bands on the first rung of the lad­der to tour out­side of their own back­yard. They were instru­men­tal in sup­port­ing the con­cept of all-ages shows and spurned the advances of cor­po­rate rock pro­mot­ers and indus­try lap­dogs. They legit­imized the notion of an Amer­i­can punk band tour­ing inter­na­tion­ally while dis­sem­i­nat­ing the true hor­ror of their native country’s for­eign poli­cies, effec­tively serv­ing as anti-ambassadors on their travels.

The book uses dozens of first-hand inter­views, pho­tos, and orig­i­nal art­work to offer a new per­spec­tive on a group who would become mired in con­tro­versy almost from the get-go. It applauds the band’s key role in trans­form­ing punk rhetoric, both polem­i­cal and musi­cal, into some­thing gen­uinely threatening—and enor­mously funny. The author offers con­text in terms of both the global and local tra­jec­tory of punk and, while not flinch­ing from the wildly dif­fer­ing takes indi­vid­ual band mem­bers have on the evo­lu­tion of the band, attempts to be celebratory—if not uncritical.

Buy the Book now from the publisher.


We have a sense of humor and we’re not afraid to use it in a vicious way if we have to. In some ways, we’re cul­tural ter­ror­ists, using music instead of guns.“ — Jello Biafra of the Dead Kennedys

It was obvi­ous that the DKs weren’t just another band that was gonna come and go. They were some­thing spe­cial. Biafra was an absolute tal­ent. And he had a band behind him that were tight and good.“ — Howie Klein, con­cert pro­moter, disc jockey, and record label executive

One day, this kid from my social stud­ies class brought in a cas­sette tape of The Dead Kennedys’ Fresh Fruit for Rot­ting Veg­eta­bles and I lis­tened to it and my life was changed com­pletely.“ — Adam Gierasch, film director

One of my favorite rock ’n’ roll mem­o­ries is of an after-party dur­ing the DKs’ first visit to Seat­tle. Rec­og­nize that bands like this for me—these actual guys being at a party in the same house that I was in—was like being in the pres­ence of Led Zep­pelin or Kiss.“ — Duff McK­a­gan of Guns ’n’ Roses

My edu­ca­tion was punk rock—what the Dead Kennedys said … It was attack­ing Amer­ica, but it was Amer­i­can at the same time.“ — Bil­lie Joe Arm­strong of Green Day

PUNK: CONVULSIVE BEAUTY The early years...


IHeart­North­Beach Gallery 641 Green Street, San Fran­cisco

This lim­ited edi­tion book fea­tures the psy­che­delic con­cert posters from the Seat­tle area that were pro­duced in the 1960’s.

Split Foun­tain Hiero­glyph­ics will be a hard­bound book, signed and num­bered with a lim­ited edi­tion of 1,000 to 2,000. This vol­ume will be (approx­i­mately) 9”x12” and at least 150 pages. Illus­trated in full color, this vol­ume will fol­low the rise and demise of the psy­che­delic con­cert poster in the Seat­tle area from 1966–1969.

West Coast Natural Gas

Since these posters were made as dis­pos­able adver­tis­ing, very few have sur­vived. Scott McDougall has been pho­tograph­ing these pieces in var­i­ous pri­vate and museum col­lec­tions for over 20 years with an even­tual book in mind. The major­ity of this body of work has not been doc­u­mented until now. In addi­tion to the indi­vid­ual poster artists, approx­i­mately 200 dif­fer­ent per­form­ers and groups as well as the local venues and light shows will be indexed to the illustrations.

Grateful Dead poster

Part of the project appeal for Scott is to have the book pro­duced in Seat­tle with the printer he has done numer­ous projects together with over the past 15 years or so that have included many posters along with cat­a­logues and CD cov­ers. The fund­ing goal is entirely based on print­ing of the book and rewards, bindery, ship­ping and related expenses. Addi­tional reward items are from Scott’s per­sonal col­lec­tion. At this time, all of the design work, pho­tog­ra­phy, writ­ing and research have been a labor of his love.

Make a pledge to sup­port Scott and this project on KickStarter.com (click here)

Some rewards include these two posters (and match­ing postcards):

hand signed by Scott McDougall

Scott McDougall Kick­starter reward poster A

hand signed by Scott McDougall

Scott McDougall Kick­starter reward poster B

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